Topic: B O O K S
1. Sound and Fury By Francis Chase Jr. Harper, 1942 Francis Chase Jr. wrote his "informal history of broadcasting" at a time when broadcasting meant one thing: radio. With our lives now bombarded by television, satellite radio, the Internet and cellphones, it is difficult to imagine the technological breakthrough that radio represented and how it transfixed listeners. "Sound and Fury" beautifully captures the significance of radio's arrival and conveys a deep appreciation for the creative geniuses -- Fred Allen, Jack Benny and countless others -- whose radio shows were a watershed of American entertainment. Chase is astute in his appraisals of the earliest radio pioneers, and he wisely perceives that President Roosevelt's "fireside chats" in the 1930s heralded a serious new role for a medium that had once been thought strictly meant for diversion. The people Chase writes about, many of whom have been forgotten, and the conversational narrative style of the book, almost make it seem that you are listening to a great radio show. 2. A Tower in Babel By Erik Barnouw Oxford, 1966 The first of the three volumes in Erik Barnouw's towering "A History of Broadcasting in the United States" takes the reader back to the late-19th century, when scientists experimented with technology that would allow them to send sound electrically through the air. His descriptions of the earliest efforts of Guglielmo Marconi, Reginald Fessenden and other inventors bring those brilliant men to life and clearly explain the complex science involved. Though it has been used as a textbook, "A Tower in Babel" is also a model of historical storytelling and provides a fine underpinning of modern broadcasting. 3. Raised on Radio By Gerald Nachman Pantheon, 1998 Gerald Nachman was hooked on radio from an early age, and his love of the medium comes through on every page of "Raised on Radio." He describes the book as "a kind of memoir in that many of the shows within these pages were more real to me than my own life." Each chapter is devoted to a particular type of show -- the chapter called "Saddle Sore" discusses western dramas like "The Lone Ranger," while "Nesting Instincts" deals with domestic comedies. "Fibber McGee and Molly," he tells us, "seamlessly blended vaudeville high jinks with radio's cozier atmospherics." In addition to conjuring what it was like to sit at home and feel riveted by the stories emanating from the big box that dominated the living room, Nachman interviews many of the old radio writers and performers, who only enhance the sense that there was a certain magic in that vanished time. 4. Crosley By Rusty McClure Clerisy, 2006 Crosley is a highly recognized name in Cincinnati, not just because the Reds baseball team used to play at Crosley Field but also because two brothers, Powel and Lewis Crosley, built a radio business that helped spawn an entire national industry. Powel was the inventor, Lewis the businessman; together they made fortunes early in the 20th century selling auto parts and manufacturing radios. In the 1920s, the Crosleys started a small radio station, WLW, in Cincinnati -- and that's when the story turns fascinating. The book relates how a single company, and a city not located on either coast, could play a central role in radio's development. In 1934, calculating that if stations had stronger signals, then the Crosleys could build radios that were less expensive but still received broadcasts, the brothers were temporarily given permission to turn WLW into a 500,000-watt powerhouse. Author Rusty McClure, writing with David Stern and Michael A. Banks, excels in placing the brothers' pioneering accomplishments within the context of U.S. society in the 1920s and '30s, and the book sheds welcome light on the lives of two important but underappreciated figures of American business. 5. On the Air By John Dunning Oxford, 1998 John Dunning's "encyclopedia of old-time radio" is an invaluable resource about the performers, shows, sponsors, history and influence of the medium. We start alphabetically with "The A&P Gypsies" ("exotic music with a nomadic motif; one of radio's earliest, most distinctive programs") and end in "Zorro" country, finding along the way engagingly written entries that reflect a savviness about the shows themselves and their significance to audiences at the time. And Dunning is thorough: The entries include vital information about when and where shows were broadcast, who starred in them, who led the orchestra and other details that any radio fanatic will relish. Essays spread throughout this dense volume provide a commanding overview of the complexities of an entire industry at the height of its influence.
Started by the National Life and Accident Insurance Company in 1925, WSM became one of the most influential and exceptional radio stations in the history of broadcasting and country music. WSM gave Nashville the moniker “Music City USA” as well as a rich tradition of music, news, and broad-based entertainment. With the rise of country music broadcasting and recording between the 1920s and ‘50s, WSM, Nashville, and country music became inseparable, stemming from WSM’s launch of the Grand Ole Opry, popular daily shows like Noontime Neighbors, and early morning artist-driven shows such as Hank Williams on Mother’s Best Flour. Sparked by public outcry following a proposal to pull country music and the Opry from WSM-AM in 2002, Craig Havighurst scoured new and existing sources to document the station’s profound effect on the character and self-image of Nashville. Introducing the reader to colorful artists and businessmen from the station’s history, including Owen Bradley, Minnie Pearl, Jim Denny, Edwin Craig, and Dinah Shore, the volume invites the reader to reflect on the status of Nashville, radio, and country music in American culture.
